{"id":8725,"date":"2026-06-24T10:00:03","date_gmt":"2026-06-24T08:00:03","guid":{"rendered":"https:\/\/u-paris.fr\/universite-ouverte\/?p=8725"},"modified":"2026-06-22T08:11:33","modified_gmt":"2026-06-22T06:11:33","slug":"analyse-musicale-creation-et-ecoute-de-variantes-a-partir-de-modeles","status":"publish","type":"post","link":"https:\/\/u-paris.fr\/universite-ouverte\/analyse-musicale-creation-et-ecoute-de-variantes-a-partir-de-modeles\/","title":{"rendered":"Analyse musicale, cr\u00e9ation et \u00e9coute de variantes \u00e0 partir de mod\u00e8les"},"content":{"rendered":"

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Trouver une formation<\/h3>\n

[\/et_pb_text][et_pb_search show_button=\u00a0\u00bboff\u00a0\u00bb placeholder=\u00a0\u00bbCours, cycles, th\u00e9matique, discipline…\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ input_font=\u00a0\u00bb||||||||\u00a0\u00bb button_font=\u00a0\u00bb||||||||\u00a0\u00bb border_radii=\u00a0\u00bbon|36px|36px|36px|36px\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ custom_padding=\u00a0\u00bb15px||15px||true\u00a0\u00bb][\/et_pb_search][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ module_class=\u00a0\u00bbtitre_cours\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″][et_pb_row _builder_version=\u00a0\u00bb3.22.1″][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.0.47″][et_pb_post_title author=\u00a0\u00bboff\u00a0\u00bb date=\u00a0\u00bboff\u00a0\u00bb comments=\u00a0\u00bboff\u00a0\u00bb featured_image=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ meta_font=\u00a0\u00bb||||||||\u00a0\u00bb][\/et_pb_post_title][et_pb_text admin_label=\u00a0\u00bbNom pr\u00e9nom\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ z_index_tablet=\u00a0\u00bb500″]<\/p>\n

Fabrice Guedy<\/p>\n

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Cours de 24 heures, 12 s\u00e9ances de 2 heures
Jeudi 14h-16h
A partir du 5 novembre 2026<\/h4>\n

Campus Grands Moulins, 5 rue Thomas Mann Paris 13e<\/em><\/a>
Ce cours est uniquement propos\u00e9 en pr\u00e9sentiel.<\/p>\n

[\/et_pb_text][et_pb_text admin_label=\u00a0\u00bbr\u00e9sum\u00e9 du cours\u00a0\u00bb _builder_version=\u00a0\u00bb3.22.1″ text_font=\u00a0\u00bb||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″]<\/p>\n

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Sans pr\u00e9requis : ce cours permet de comprendre des proc\u00e9d\u00e9s et des m\u00e9thodes de composition musicale sans bagage th\u00e9orique. Il substitue au solf\u00e8ge des alternatives qui permettent de repr\u00e9senter des ph\u00e9nom\u00e8nes musicaux complexes de fa\u00e7on simple et intuitive. Chaque cours commence par quelques exercices d’oreille afin d’apprendre \u00e0 porter son attention sur certains param\u00e8tres du son. Pour certaines \u0153uvres, un mod\u00e8le est propos\u00e9 qui permet aux participants d’en produire des variantes gr\u00e2ce \u00e0 du code sp\u00e9cialement d\u00e9velopp\u00e9 pour cette ann\u00e9e de cours, et de les \u00e9couter.<\/span><\/span><\/p>\n

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S\u00e9ance 1\u00a0: Ethnomusicologie et musique savante europ\u00e9enne : le rythme dans les pratiques musicales des pygm\u00e9es Banda Linda. Utilisation d’un m\u00eame mod\u00e8le pour reproduire ces polyrythmies et celles d’\u0153uvres du Moyen-Age et de la Renaissance.<\/span><\/span><\/p>\n

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S\u00e9ances 2 et\u00a03\u00a0: Olivier Messiaen, La liturgie de cristal, cr\u00e9ation de variantes, production de chants d’oiseaux d’apr\u00e8s les analyses de Messiaen<\/span><\/span><\/p>\n

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S\u00e9ance 4\u00a0: Stockhausen, Klavierst\u00fccke, production de variantes \u00e0 partir de mod\u00e8les<\/span><\/span><\/p>\n

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S\u00e9ance 5 Qu’est-ce que la tonalit\u00e9\u00a0?<\/span><\/span><\/p>\n

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S\u00e9ance 6\u00a0: Forme, contenu, discours musical tonal<\/span><\/span><\/p>\n

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<\/a>S\u00e9ance 7\u00a0: le jeu de d\u00e9s de Mozart. Param\u00e9trage de son jeu de soci\u00e9t\u00e9 permettant de produire des styles apparus apr\u00e8s lui<\/span><\/span><\/p>\n

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S\u00e9ance 8\u00a0: Xenakis, production de variantes de Psappha. Atelier de cr\u00e9ation et s\u00e9ances d’\u00e9coute<\/span><\/span><\/p>\n

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S\u00e9ance 9\u00a0: Bach\u00a0: variations Goldberg, \u00e9tude des canons<\/span><\/span><\/p>\n

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S\u00e9ance 10\u00a0: Bach\u00a0: l’Art de la fugue<\/span><\/span><\/p>\n

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S\u00e9ance 11\u00a0: Webern\u00a0: variations Op. 27 analyse et production de variantes<\/span><\/span><\/p>\n

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S\u00e9ance 12\u00a0: Debussy\u00a0: Danseuse de Delphes, Voiles, la Cath\u00e9drale Engloutie, les sons et les parfums tournent dans l’air du soir<\/span><\/span><\/p>\n<\/div>\n

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BIOGRAPHIE<\/strong><\/p>\n

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Fabrice Gu\u00e9dy,<\/strong> compositeur, laur\u00e9at de la Villa Medicis hors les murs, a travaill\u00e9 de nombreuses ann\u00e9es dans deux \u00e9quipes de recherche musicale de l\u2019Ircam, sur la composition et le temps r\u00e9el. Il co-dirige l\u2019Atelier des Feuillantines, conservatoire et \u00e9cole d\u2019art permettant aux \u00e9l\u00e8ves de croiser les disciplines. Ancien chef d\u2019orchestre assistant de Daniel Barenbo\u00efm \u00e0 l\u2019Orchestre de Paris, il est laur\u00e9at du prix \u00ab Impact soci\u00e9tal \u00bb de l\u2019Agence Nationale de la Recherche pour le projet Interlude, qui pr\u00e9figure de nouveaux outils d\u2019interaction grand public avec la composition musicale. Ses \u0153uvres sont jou\u00e9es par l\u2019ensemble Intercontemporain, ses derni\u00e8res cr\u00e9ations ont eu lieu \u00e0 l\u2019Ircam, aux Nuit Blanches, aux f\u00eates de la science.<\/span><\/p>\n<\/div>\n

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\u00c0<\/span> lire aussi<\/h2>\n

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Fabrice Guedy
\nCours de 24 heures
\nJeudi 14h-16h
\nA partir du 5 novembre 2026 Lire la suite Analyse musicale, cr\u00e9ation et \u00e9coute de variantes \u00e0 partir de mod\u00e8les<\/span><\/a><\/p>\n","protected":false},"author":585,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[30,10],"tags":[],"coauthors":[163],"class_list":["post-8725","post","type-post","status-publish","format-standard","hentry","category-musique","category-sciences-humaines"],"_links":{"self":[{"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/posts\/8725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/users\/585"}],"replies":[{"embeddable":true,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/comments?post=8725"}],"version-history":[{"count":6,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/posts\/8725\/revisions"}],"predecessor-version":[{"id":9147,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/posts\/8725\/revisions\/9147"}],"wp:attachment":[{"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/media?parent=8725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/categories?post=8725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/tags?post=8725"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/u-paris.fr\/universite-ouverte\/wp-json\/wp\/v2\/coauthors?post=8725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}